The Girl With The Dragon Tattoo – Stieg Larsson

“Armageddon was yesterday, today we have a serious problem.”  The Girl With The Dragon Tattoo

“Armageddon was yesterday, today we have a serious problem.” The Girl With The Dragon Tattoo

I finally gave in and read this book after resisting for quite a while.  It seemed everybody I spoke to had recommended it and I kind of backed away, thinking after all that hype I’d only be disappointed.  I’m happy to say I wasn’t. I was hooked straight away.

The basic storyline is this: an old man (Henrik Vanger) has been receiving strange birthday cards from his grand-niece who has been missing, presumed dead for 40 odd years.  Before he dies he wants to know what happened to her and so he hires Mikael Blomkvist, an investigative magazine publisher to investigate the case. After a while, Blomkvist realises he needs an assistant and so hires Lisbeth Salander – an expert computer hacker.  Ok, so the basic premise is a bit of a whodunit – a classic investigation story into a shadowy family history.

What makes this book stand out is Salander.  She is a wonderful creation, anti-social misfit that she is.  Declared legally incompetent as a child, she has been under the care of a legal guardian ever since.  Initially this is the kindly avuncular Holger Palmgren, replaced after suffering a stroke with the sinister Nils Bjurman, who subjects her to vile sexual abuse.  Salander is very introverted and doesn’t make friends easily.  In many ways she’s child-like, in character as well as appearance, but she’s also hard as nails and incredibly determined.  Her mental state is never clearly defined, perhaps she does suffer from Asperger’s Syndrome, or maybe she’s just so traumatised from her childhood that she has retreated from normal life.

It’s a modern take on an old theme, romance and relationships are pretty unconventional, technology is used as a great tool throughout, but don’t worry, you don’t need to understand computers at all to appreciate this, and politics and commerce plays a part too.

The book is relatively long but will have you hooked from the beginning.  That is, except the chapter near the beginning – I think it’s chapter two – which explains the Vanger family history.  That’s kind of boring, and may put some people off continuing with the book, but don’t let it, the rest is compelling, though a lot more violent than I had anticipated.  The violence however, is necessary in order to tell the story, you’ll see what I mean if you read the rest of the trilogy.  (This is the first book in the Millennium Series – Millennium being the name of the magazine Blomkvist publishes.)

So basically, what I’m trying to say is this, next time somebody tells you to read this book, listen to them.  In this case folks, believe the hype, it’s a very good book.

Sample Text:

“I’ve had many enemies over the years. If there’s one thing I’ve learned, it’s never engage in a fight you’re sure to lose. On the other hand, never let anyone who has insulted you get away with it. Bide your time and strike back when you’re in a position of strength—even if you no longer need to strike back.”

Further Reading:

If you like the characters you might like The Girl Who Played With Fire

If you like the Scandinavian atmosphere you might like Out Stealing Horses

If you like a classic whodunit you might like A Study In Scarlet

If you like violent tales of a social misfit you might like The Wasp Factory


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